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People
were a central
motive for Gitz-Johansen
especially in his
earlier career. He
tried to capture them
as social beings and
also sometimes as a
subject matter for
satire.
Opus
500, Kulissen (Behind
the Scenes), 1931. 50 x
65 cm. Handprint.
Nørreport,
Copenhagen, 1942. 45 x
59 cm. Ink painting.
Nøgenstudie
(Nude Study), Trørød,
1942. 45 x 31 cm. Ink.
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